RANDOM POSTs
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Why VFX workers are unionising in Hollywood — and why it’s important
Read more: Why VFX workers are unionising in Hollywood — and why it’s importanthttps://www.digitalspy.com/movies/a44936059/vfx-workers-unionising-hollywood/
Last March, IATSE released a damning survey that showed how visual effects workers lack access to essential benefits, such as health insurance and retirement plans.
It also found VFX crews are lacking breaks and rest periods, and they’re not getting paid for working overtime, resulting in some workers failing to even make minimum wage.
This survey was aimed to organise VFX workers, one of the last areas of the production community that are still not unionised. Given the worsening of their working conditions while their craft is increasingly in demand within the industry, seeking protection has become a necessity.
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Grant Wakefield Adapt-O-Dolly for timelapse showreel
Read more: Grant Wakefield Adapt-O-Dolly for timelapse showreelhttp://vimeo.com/channels/150414/18118029
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Python and TCL: Tips and Tricks for Foundry Nuke
Read more: Python and TCL: Tips and Tricks for Foundry Nukewww.andreageremia.it/tutorial_python_tcl.html
https://www.gatimedia.co.uk/list-of-knobs-2
https://learn.foundry.com/nuke/developers/63/ndkdevguide/knobs-and-handles/knobtypes.html
http://www.andreageremia.it/tutorial_python_tcl.html
http://thoughtvfx.blogspot.com/2012/12/nuke-tcl-tips.html
Check final image quality
https://www.compositingpro.com/tech-check-compositing-shot-in-nuke/Local copy:
http://pixelsham.com/wp-content/uploads/2023/03/compositing_pro_tech_check_nuke_script.nkNuke tcl procedures
https://www.gatimedia.co.uk/nuke-tcl-proceduresKnobs
https://learn.foundry.com/nuke/developers/63/ndkdevguide/knobs-and-handles/knobtypes.html
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LasVegas’ Sphere and the Big Sky Camera
Read more: LasVegas’ Sphere and the Big Sky Camerahttps://theasc.com/articles/sphere-and-the-big-sky-camera
Sphere is a 516′-wide, 366′-tall geodesic dome that houses the world’s highest-resolution screen: a 160,000-square-foot LED wraparound that fills the peripheral vision for 17,600 spectators (20,000 if standing-room areas are included). The curved screen is a 9mm-pixel-pitch, sonically transparent surface of LED panels with 500-nit brightness that produce a high-dynamic-range experience. The audience sits 160′ to 400′ from the screen in theatrical seating, and the screen provides a 155-degree diagonal field of view and a more-than-140-degree vertical field of view.
The image on the screen is 16K (16,384×16,384) driven by 25 synchronized 4K video servers.
https://nofilmschool.com/darren-aronofsky-sphere-camera
Cross section:
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Lumina-mGPT 2.0 – Stand-alone Autoregressive Image Modeling
Read more: Lumina-mGPT 2.0 – Stand-alone Autoregressive Image ModelingA stand-alone, decoder-only autoregressive model, trained from scratch, that unifies a broad spectrum of image generation tasks, including text-to-image generation, image pair generation, subject-driven generation, multi-turn image editing, controllable generation, and dense prediction.
https://github.com/Alpha-VLLM/Lumina-mGPT-2.0
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