RANDOM POSTs
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Nike by Phil Schiller – The job is not done until the job is done
- Our business is change.
- We’re on offense. All the time.
- Perfect results count — not a perfect process. Break the rules: fight the law.
- This is as much about battle as about business.
- Assume nothing. Make sure people keep their promises. Push yourselves push others. Stretch the possible.
- Live off the land.
- Your job isn’t done until the job is done.
- Dangers
Bureaucracy
Personal ambition
Energy takers vs. energy givers
Knowing our weaknesses
Don’t get too many things on the platter - It won’t be pretty.
- If we do the right things we’ll make money damn near automatic.
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The Forbidden colors – Red-Green & Blue-Yellow: The Stunning Colors You Can’t See
Read more: The Forbidden colors – Red-Green & Blue-Yellow: The Stunning Colors You Can’t Seewww.livescience.com/17948-red-green-blue-yellow-stunning-colors.html
While the human eye has red, green, and blue-sensing cones, those cones are cross-wired in the retina to produce a luminance channel plus a red-green and a blue-yellow channel, and it’s data in that color space (known technically as “LAB”) that goes to the brain. That’s why we can’t perceive a reddish-green or a yellowish-blue, whereas such colors can be represented in the RGB color space used by digital cameras.
https://en.rockcontent.com/blog/the-use-of-yellow-in-data-design
The back of the retina is covered in light-sensitive neurons known as cone cells and rod cells. There are three types of cone cells, each sensitive to different ranges of light. These ranges overlap, but for convenience the cones are referred to as blue (short-wavelength), green (medium-wavelength), and red (long-wavelength). The rod cells are primarily used in low-light situations, so we’ll ignore those for now.
When light enters the eye and hits the cone cells, the cones get excited and send signals to the brain through the visual cortex. Different wavelengths of light excite different combinations of cones to varying levels, which generates our perception of color. You can see that the red cones are most sensitive to light, and the blue cones are least sensitive. The sensitivity of green and red cones overlaps for most of the visible spectrum.
Here’s how your brain takes the signals of light intensity from the cones and turns it into color information. To see red or green, your brain finds the difference between the levels of excitement in your red and green cones. This is the red-green channel.
To get “brightness,” your brain combines the excitement of your red and green cones. This creates the luminance, or black-white, channel. To see yellow or blue, your brain then finds the difference between this luminance signal and the excitement of your blue cones. This is the yellow-blue channel.
From the calculations made in the brain along those three channels, we get four basic colors: blue, green, yellow, and red. Seeing blue is what you experience when low-wavelength light excites the blue cones more than the green and red.
Seeing green happens when light excites the green cones more than the red cones. Seeing red happens when only the red cones are excited by high-wavelength light.
Here’s where it gets interesting. Seeing yellow is what happens when BOTH the green AND red cones are highly excited near their peak sensitivity. This is the biggest collective excitement that your cones ever have, aside from seeing pure white.
Notice that yellow occurs at peak intensity in the graph to the right. Further, the lens and cornea of the eye happen to block shorter wavelengths, reducing sensitivity to blue and violet light.
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Fernando Herrera – 12ish Principles of Animation
Read more: Fernando Herrera – 12ish Principles of Animation“This is how I organize the 12 principles in my head. Not being pretentious and reinventing the wheel or anything, I just use it for myself, with some different names for a few that are better adapted to CG or more concise in one word.
Organizing them in layers helps me keep track of it a lot easier. The layers I separated them into are pretty self explanatory. Appeal rules over everything and I know I have to keep the “Mindset” ones alive in my head as much as I can, and the others I can turn to at the proper moments and as a group, so instead of tackling all 12 at once and getting overwhelmed, I can look at the “Technique” and “Observation” groups separately at times for a more organized approach.I use “Mixed Workflows” instead of “Straight Ahead and Pose to Pose”. This principle is not necessarily to use SA and PP, it’s a reminder to variate, have a planned approach, but not leaving aside the natural feel of other workflows. like Layered Animation, etc.
“Contrast” I decided to branch this into a new principle coming from Exaggeration. It’s to remind myself that to keep my shot interesting I need variation and contrast on everything, motion, poses, timing, spacing, etc.
“Slow in and out” I prefer to call it “Spacing” because it’s just one word and it’s a broader concept that includes Slow in and out. Not to mention in and out always confused the heck out of me.
“Solid Posing” instead of “Solid Drawing”, more applicable to CG.
“Inertia” instead of “Follow Through and Overlapping Action”. Inertia is the same as Follow Through and Drag combined in one word. And Overlapping Action I separated into its own principle because it has another meaning, actions overlapping and having varied timing, (even though everyone uses “Overlap” as a nickname for everything anyway, I still like to separate it).
In the end I realized they weren’t 12 anymore lol, so I call it 12ish, because 13 is bad juju.
TLDR: Organizing the principles in layers and changing some names because I’m too lazy to write big words.
Hope this is useful to someone. Cheers!
Fernando Herrera”
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Mind tools
Read more: Mind toolsThe full Mind Tools toolkit contains more than 600 management, career and thinking skills.
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Magnific.ai Relight – change the entire lighting of a scene
Read more: Magnific.ai Relight – change the entire lighting of a sceneIt’s a new Magnific spell that allows you to change the entire lighting of a scene and, optionally, the background with just:
1/ A prompt OR
2/ A reference image OR
3/ A light map (drawing your own lights)https://x.com/javilopen/status/1805274155065176489
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