COLOR

  • HDR and Color

    https://www.soundandvision.com/content/nits-and-bits-hdr-and-color

    In HD we often refer to the range of available colors as a color gamut. Such a color gamut is typically plotted on a two-dimensional diagram, called a CIE chart, as shown in at the top of this blog. Each color is characterized by its x/y coordinates.

    Good enough for government work, perhaps. But for HDR, with its higher luminance levels and wider color, the gamut becomes three-dimensional.

    For HDR the color gamut therefore becomes a characteristic we now call the color volume. It isn’t easy to show color volume on a two-dimensional medium like the printed page or a computer screen, but one method is shown below. As the luminance becomes higher, the picture eventually turns to white. As it becomes darker, it fades to black. The traditional color gamut shown on the CIE chart is simply a slice through this color volume at a selected luminance level, such as 50%.

    Three different color volumes—we still refer to them as color gamuts though their third dimension is important—are currently the most significant. The first is BT.709 (sometimes referred to as Rec.709), the color gamut used for pre-UHD/HDR formats, including standard HD.

    The largest is known as BT.2020; it encompasses (roughly) the range of colors visible to the human eye (though ET might find it insufficient!).

    Between these two is the color gamut used in digital cinema, known as DCI-P3.

    sRGB

    D65

     

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    Read more: HDR and Color
  • Types of Film Lights and their efficiency – CRI, Color Temperature and Luminous Efficacy

    nofilmschool.com/types-of-film-lights

     

    “Not every light performs the same way. Lights and lighting are tricky to handle. You have to plan for every circumstance. But the good news is, lighting can be adjusted. Let’s look at different factors that affect lighting in every scene you shoot. ”

    Use CRI, Luminous Efficacy and color temperature controls to match your needs.

     

    Color Temperature
    Color temperature describes the “color” of white light by a light source radiated by a perfect black body at a given temperature measured in degrees Kelvin

     

    https://www.pixelsham.com/2019/10/18/color-temperature/

     

    CRI
    “The Color Rendering Index is a measurement of how faithfully a light source reveals the colors of whatever it illuminates, it describes the ability of a light source to reveal the color of an object, as compared to the color a natural light source would provide. The highest possible CRI is 100. A CRI of 100 generally refers to a perfect black body, like a tungsten light source or the sun. ”

     

    https://www.studiobinder.com/blog/what-is-color-rendering-index/

     

     

     

    https://en.wikipedia.org/wiki/Color_rendering_index

     

    Light source CCT (K) CRI
    Low-pressure sodium (LPS/SOX) 1800 −44
    Clear mercury-vapor 6410 17
    High-pressure sodium (HPS/SON) 2100 24
    Coated mercury-vapor 3600 49
    Halophosphate warm-white fluorescent 2940 51
    Halophosphate cool-white fluorescent 4230 64
    Tri-phosphor warm-white fluorescent 2940 73
    Halophosphate cool-daylight fluorescent 6430 76
    “White” SON 2700 82
    Standard LED Lamp 2700–5000 83
    Quartz metal halide 4200 85
    Tri-phosphor cool-white fluorescent 4080 89
    High-CRI LED lamp (blue LED) 2700–5000 95
    Ceramic discharge metal-halide lamp 5400 96
    Ultra-high-CRI LED lamp (violet LED) 2700–5000 99
    Incandescent/halogen bulb 3200 100

     

    Luminous Efficacy
    Luminous efficacy is a measure of how well a light source produces visible light, watts out versus watts in, measured in lumens per watt. In other words it is a measurement that indicates the ability of a light source to emit visible light using a given amount of power. It is a ratio of the visible energy to the power that goes into the bulb.

     

    FILM LIGHT TYPES

    https://www.studiobinder.com/blog/video-lighting-kits/?utm_campaign=Weekly_Newsletter&utm_medium=email&utm_source=sendgrid&utm_term=production-lighting&utm_content=production-lighting

     

     

     

    Consumer light types

     

    https://www.researchgate.net/figure/Emission-spectra-of-different-light-sources-a-incandescent-tungsten-light-bulb-b_fig1_312320039

     

    http://dev.informationdisplay.org/IDArchive/2015/NovemberDecember/FrontlineTechnologyCandleLikeEmission.aspx

     

     

    Tungsten Lights
    Light interiors and match domestic places or office locations. Daylight.

    Advantages of Tungsten Lights
    Almost perfect color rendition
    Low cost
    Does not use mercury like CFLs (fluorescent) or mercury vapor lights
    Better color temperature than standard tungsten
    Longer life than a conventional incandescent
    Instant on to full brightness, no warm-up time, and it is dimmable

    Disadvantages of Tungsten Lights
    Extremely hot
    High power requirement
    The lamp is sensitive to oils and cannot be touched
    The bulb is capable of blowing and sending hot glass shards outward. A screen or layer of glass on the outside of the lamp can protect users.

     

     

    Hydrargyrum medium-arc iodide lights
    HMI’s are used when high output is required. They are also used to recreate sun shining through windows or to fake additional sun while shooting exteriors. HMIs can light huge areas at once.

    Advantages of HMI lights
    High light output
    Higher efficiency
    High color temperature

    Disadvantages of HMI lights:
    High cost
    High power requirement
    Dims only to about 50%
    the color temperature increases with dimming
    HMI bulbs will explode is dropped and release toxic chemicals

     

     

    Fluorescent
    Fluorescent film lighting is achieved by laying multiple tubes next to each other, combining as many as you want for the desired brightness. The good news is you can choose your bulbs to either be warm or cool depending on the scenario you’re shooting. You want to get these bulbs close to the subject because they’re not great at opening up spaces. Fluorescent lighting is used to light interiors and is more compact and cooler than tungsten or HMI lighting.

    Advantages of Fluorescent lights
    High efficiency
    Low power requirement
    Low cost
    Long lamp life
    Cool
    Capable of soft even lighting over a large area
    Lightweight

    Disadvantages of Fluorescent lights
    Flicker
    High CRI
    Domestic tubes have low CRI & poor color rendition.

     

     

    LED
    LED’s are more and more common on film sets. You can use batteries to power them. That makes them portable and sleek – no messy cabled needed. You can rig your own panels of LED lights to fit any space necessary as well. LED’s can also power Fresnel style lamp heads such as the Arri L-series.

    Advantages of LED light
    Soft, even lighting
    Pure light without UV-artifacts
    High efficiency
    Low power consumption, can be battery powered
    Excellent dimming by means of pulse width modulation control
    Long lifespan
    Environmentally friendly
    Insensitive to shock
    No risk of explosion

    Disadvantages of LED light
    High cost.
    LED’s are currently still expensive for their total light output

    (more…)

    , , ,
    Read more: Types of Film Lights and their efficiency – CRI, Color Temperature and Luminous Efficacy

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