COLOR

  • Polarised vs unpolarized filtering

    A light wave that is vibrating in more than one plane is referred to as unpolarized light. … Polarized light waves are light waves in which the vibrations occur in a single plane. The process of transforming unpolarized light into polarized light is known as polarization.

    en.wikipedia.org/wiki/Polarizing_filter_(photography)

     

    Light reflected from a non-metallic surface becomes polarized; this effect is maximum at Brewster’s angle, about 56° from the vertical for common glass.

     

    A polarizer rotated to pass only light polarized in the direction perpendicular to the reflected light will absorb much of it. This absorption allows glare reflected from, for example, a body of water or a road to be reduced. Reflections from shiny surfaces (e.g. vegetation, sweaty skin, water surfaces, glass) are also reduced. This allows the natural color and detail of what is beneath to come through. Reflections from a window into a dark interior can be much reduced, allowing it to be seen through. (The same effects are available for vision by using polarizing sunglasses.)

     

    www.physicsclassroom.com/class/light/u12l1e.cfm

     

    Some of the light coming from the sky is polarized (bees use this phenomenon for navigation). The electrons in the air molecules cause a scattering of sunlight in all directions. This explains why the sky is not dark during the day. But when looked at from the sides, the light emitted from a specific electron is totally polarized.[3] Hence, a picture taken in a direction at 90 degrees from the sun can take advantage of this polarization. Use of a polarizing filter, in the correct direction, will filter out the polarized component of skylight, darkening the sky; the landscape below it, and clouds, will be less affected, giving a photograph with a darker and more dramatic sky, and emphasizing the clouds.

     

    There are two types of polarizing filters readily available, linear and “circular”, which have exactly the same effect photographically. But the metering and auto-focus sensors in certain cameras, including virtually all auto-focus SLRs, will not work properly with linear polarizers because the beam splitters used to split off the light for focusing and metering are polarization-dependent.

     

    Polarizing filters reduce the light passed through to the film or sensor by about one to three stops (2–8×) depending on how much of the light is polarized at the filter angle selected. Auto-exposure cameras will adjust for this by widening the aperture, lengthening the time the shutter is open, and/or increasing the ASA/ISO speed of the camera.

     

    www.adorama.com/alc/nd-filter-vs-polarizer-what%25e2%2580%2599s-the-difference

     

    Neutral Density (ND) filters help control image exposure by reducing the light that enters the camera so that you can have more control of your depth of field and shutter speed. Polarizers or polarizing filters work in a similar way, but the difference is that they selectively let light waves of a certain polarization pass through. This effect helps create more vivid colors in an image, as well as manage glare and reflections from water surfaces. Both are regarded as some of the best filters for landscape and travel photography as they reduce the dynamic range in high-contrast images, thus enabling photographers to capture more realistic and dramatic sceneries.

     

    shopfelixgray.com/blog/polarized-vs-non-polarized-sunglasses/

     

    www.eyebuydirect.com/blog/difference-polarized-nonpolarized-sunglasses/

     

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  • The Forbidden colors – Red-Green & Blue-Yellow: The Stunning Colors You Can’t See

    www.livescience.com/17948-red-green-blue-yellow-stunning-colors.html

     

     

    While the human eye has red, green, and blue-sensing cones, those cones are cross-wired in the retina to produce a luminance channel plus a red-green and a blue-yellow channel, and it’s data in that color space (known technically as “LAB”) that goes to the brain. That’s why we can’t perceive a reddish-green or a yellowish-blue, whereas such colors can be represented in the RGB color space used by digital cameras.

     

    https://en.rockcontent.com/blog/the-use-of-yellow-in-data-design

    The back of the retina is covered in light-sensitive neurons known as cone cells and rod cells. There are three types of cone cells, each sensitive to different ranges of light. These ranges overlap, but for convenience the cones are referred to as blue (short-wavelength), green (medium-wavelength), and red (long-wavelength). The rod cells are primarily used in low-light situations, so we’ll ignore those for now.

     

    When light enters the eye and hits the cone cells, the cones get excited and send signals to the brain through the visual cortex. Different wavelengths of light excite different combinations of cones to varying levels, which generates our perception of color. You can see that the red cones are most sensitive to light, and the blue cones are least sensitive. The sensitivity of green and red cones overlaps for most of the visible spectrum.

     

    Here’s how your brain takes the signals of light intensity from the cones and turns it into color information. To see red or green, your brain finds the difference between the levels of excitement in your red and green cones. This is the red-green channel.

     

    To get “brightness,” your brain combines the excitement of your red and green cones. This creates the luminance, or black-white, channel. To see yellow or blue, your brain then finds the difference between this luminance signal and the excitement of your blue cones. This is the yellow-blue channel.

     

    From the calculations made in the brain along those three channels, we get four basic colors: blue, green, yellow, and red. Seeing blue is what you experience when low-wavelength light excites the blue cones more than the green and red.

     

    Seeing green happens when light excites the green cones more than the red cones. Seeing red happens when only the red cones are excited by high-wavelength light.

     

    Here’s where it gets interesting. Seeing yellow is what happens when BOTH the green AND red cones are highly excited near their peak sensitivity. This is the biggest collective excitement that your cones ever have, aside from seeing pure white.

     

    Notice that yellow occurs at peak intensity in the graph to the right. Further, the lens and cornea of the eye happen to block shorter wavelengths, reducing sensitivity to blue and violet light.

    Read more: The Forbidden colors – Red-Green & Blue-Yellow: The Stunning Colors You Can’t See
  • Tim Kang – calibrated white light values in sRGB color space

    https://www.linkedin.com/posts/timkang_colorimetry-cinematography-nerdalert-activity-7058330978007584769-9xln

     

    8bit sRGB encoded
    2000K 255 139 22
    2700K 255 172 89
    3000K 255 184 109
    3200K 255 190 122
    4000K 255 211 165
    4300K 255 219 178
    D50 255 235 205
    D55 255 243 224
    D5600 255 244 227
    D6000 255 249 240
    D65 255 255 255
    D10000 202 221 255
    D20000 166 196 255

    8bit Rec709 Gamma 2.4
    2000K 255 145 34
    2700K 255 177 97
    3000K 255 187 117
    3200K 255 193 129
    4000K 255 214 170
    4300K 255 221 182
    D50 255 236 208
    D55 255 243 226
    D5600 255 245 229
    D6000 255 250 241
    D65 255 255 255
    D10000 204 222 255
    D20000 170 199 255

    8bit Display P3 encoded
    2000K 255 154 63
    2700K 255 185 109
    3000K 255 195 127
    3200K 255 201 138
    4000K 255 219 176
    4300K 255 225 187
    D50 255 239 212
    D55 255 245 228
    D5600 255 246 231
    D6000 255 251 242
    D65 255 255 255
    D10000 208 223 255
    D20000 175 199 255

    10bit Rec2020 PQ (100 nits)
    2000K 520 435 273
    2700K 520 466 358
    3000K 520 475 384
    3200K 520 480 399
    4000K 520 495 446
    4300K 520 500 458
    D50 520 510 482
    D55 520 514 497
    D5600 520 514 500
    D6000 520 517 509
    D65 520 520 520
    D10000 479 489 520
    D20000 448 464 520

     

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  • Colour – MacBeth Chart Checker Detection

    github.com/colour-science/colour-checker-detection

    A Python package implementing various colour checker detection algorithms and related utilities.

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LIGHTING