This is the color of something infinitely hot.

Of course you’d instantly be fried by gamma rays of arbitrarily high frequency, but this would be its spectrum in the visible range.

johncarlosbaez.wordpress.com/2022/01/16/the-color-of-infinite-temperature/

This is also the color of a typical neutron star. They’re so hot they look the same.
It’s also the color of the early Universe!

This was worked out by David Madore.

The color he got is sRGB(148,177,255).
www.htmlcsscolor.com/hex/94B1FF

And according to the experts who sip latte all day and make up names for colors, this color is called ‘Perano’.

www.studiobinder.com/blog/what-is-color-rendering-index

“The Color Rendering Index is a measurement of how faithfully a light source reveals the colors of whatever it illuminates, it describes the ability of a light source to reveal the color of an object, as compared to the color a natural light source would provide. The highest possible CRI is 100. A CRI of 100 generally refers to a perfect black body, like a tungsten light source or the sun. ”

www.pixelsham.com/2021/04/28/types-of-film-lights-and-their-efficiency

www.colour-science.org/posts/the-colorchecker-considered-mostly-harmless/

“Unless you have all the relevant spectral measurements, a colour rendition chart should not be used to perform colour-correction of camera imagery but only for white balancing and relative exposure adjustments.”

“Using a colour rendition chart for colour-correction might dramatically increase error if the scene light source spectrum is different from the illuminant used to compute the colour rendition chart’s reference values.”

“other factors make using a colour rendition chart unsuitable for camera calibration:

– Uncontrolled geometry of the colour rendition chart with the incident illumination and the camera.
– Unknown sample reflectances and ageing as the colour of the samples vary with time.
– Low samples count.
– Camera noise and flare.
– Etc…

“Those issues are well understood in the VFX industry, and when receiving plates, we almost exclusively use colour rendition charts to white balance and perform relative exposure adjustments, i.e. plate neutralisation.”