COLOR

  • The Forbidden colors – Red-Green & Blue-Yellow: The Stunning Colors You Can’t See

    www.livescience.com/17948-red-green-blue-yellow-stunning-colors.html

     

     

    While the human eye has red, green, and blue-sensing cones, those cones are cross-wired in the retina to produce a luminance channel plus a red-green and a blue-yellow channel, and it’s data in that color space (known technically as “LAB”) that goes to the brain. That’s why we can’t perceive a reddish-green or a yellowish-blue, whereas such colors can be represented in the RGB color space used by digital cameras.

     

    https://en.rockcontent.com/blog/the-use-of-yellow-in-data-design

    The back of the retina is covered in light-sensitive neurons known as cone cells and rod cells. There are three types of cone cells, each sensitive to different ranges of light. These ranges overlap, but for convenience the cones are referred to as blue (short-wavelength), green (medium-wavelength), and red (long-wavelength). The rod cells are primarily used in low-light situations, so we’ll ignore those for now.

     

    When light enters the eye and hits the cone cells, the cones get excited and send signals to the brain through the visual cortex. Different wavelengths of light excite different combinations of cones to varying levels, which generates our perception of color. You can see that the red cones are most sensitive to light, and the blue cones are least sensitive. The sensitivity of green and red cones overlaps for most of the visible spectrum.

     

    Here’s how your brain takes the signals of light intensity from the cones and turns it into color information. To see red or green, your brain finds the difference between the levels of excitement in your red and green cones. This is the red-green channel.

     

    To get “brightness,” your brain combines the excitement of your red and green cones. This creates the luminance, or black-white, channel. To see yellow or blue, your brain then finds the difference between this luminance signal and the excitement of your blue cones. This is the yellow-blue channel.

     

    From the calculations made in the brain along those three channels, we get four basic colors: blue, green, yellow, and red. Seeing blue is what you experience when low-wavelength light excites the blue cones more than the green and red.

     

    Seeing green happens when light excites the green cones more than the red cones. Seeing red happens when only the red cones are excited by high-wavelength light.

     

    Here’s where it gets interesting. Seeing yellow is what happens when BOTH the green AND red cones are highly excited near their peak sensitivity. This is the biggest collective excitement that your cones ever have, aside from seeing pure white.

     

    Notice that yellow occurs at peak intensity in the graph to the right. Further, the lens and cornea of the eye happen to block shorter wavelengths, reducing sensitivity to blue and violet light.

    Read more: The Forbidden colors – Red-Green & Blue-Yellow: The Stunning Colors You Can’t See
  • What light is best to illuminate gems for resale

    www.palagems.com/gem-lighting2

     

    Artificial light sources, not unlike the diverse phases of natural light, vary considerably in their properties. As a result, some lamps render an object’s color better than others do.

     

    The most important criterion for assessing the color-rendering ability of any lamp is its spectral power distribution curve.

     

    Natural daylight varies too much in strength and spectral composition to be taken seriously as a lighting standard for grading and dealing colored stones. For anything to be a standard, it must be constant in its properties, which natural light is not.

     

    For dealers in particular to make the transition from natural light to an artificial light source, that source must offer:
    1- A degree of illuminance at least as strong as the common phases of natural daylight.
    2- Spectral properties identical or comparable to a phase of natural daylight.

     

    A source combining these two things makes gems appear much the same as when viewed under a given phase of natural light. From the viewpoint of many dealers, this corresponds to a naturalappearance.

     

    The 6000° Kelvin xenon short-arc lamp appears closest to meeting the criteria for a standard light source. Besides the strong illuminance this lamp affords, its spectrum is very similar to CIE standard illuminants of similar color temperature.

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    Read more: What light is best to illuminate gems for resale
  • Eye retina’s Bipolar Cells, Horizontal Cells, and Photoreceptors

    In the retina, photoreceptors, bipolar cells, and horizontal cells work together to process visual information before it reaches the brain. Here’s how each cell type contributes to vision:

     

    1. Photoreceptors

    • Types: There are two main types of photoreceptors: rods and cones.
      • Rods: Specialized for low-light and peripheral vision; they help us see in dim lighting and detect motion.
      • Cones: Specialized for color and detail; they function best in bright light and are concentrated in the central retina (the fovea), allowing for high-resolution vision.
    • Function: Photoreceptors convert light into electrical signals. When light hits the retina, photoreceptors undergo a chemical change, triggering an electrical response that initiates the visual process. Rods and cones detect different intensities and colors, providing the foundation for brightness and color perception.

     

    2. Bipolar Cells

    • Function: Bipolar cells act as intermediaries, connecting photoreceptors to ganglion cells, which send signals to the brain. They receive input from photoreceptors and relay it to the retinal ganglion cells.
    • On and Off Bipolar Cells: Some bipolar cells are ON cells, responding when light is detected (depolarizing in light), and others are OFF cells, responding in darkness (depolarizing in the absence of light). This division allows for more precise contrast detection and the ability to distinguish light from dark areas in the visual field.

     

    3. Horizontal Cells

    • Function: Horizontal cells connect photoreceptors to each other and create lateral interactions between them. They integrate signals from multiple photoreceptors, allowing them to adjust the sensitivity of neighboring photoreceptors in response to varying light conditions.
    • Lateral Inhibition: This process improves visual contrast and sharpness by making the borders between light and dark areas more distinct, enhancing our ability to perceive edges and fine detail.

     

    These three types of cells work together to help the retina preprocess visual information and perception, emphasizing contrast and adjusting for different lighting conditions before signals are sent to the brain for further processing and interpretation.

     

     

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    Read more: Eye retina’s Bipolar Cells, Horizontal Cells, and Photoreceptors
  • Photography basics: Color Temperature and White Balance

     

     

    Color Temperature of a light source describes the spectrum of light which is radiated from a theoretical “blackbody” (an ideal physical body that absorbs all radiation and incident light – neither reflecting it nor allowing it to pass through) with a given surface temperature.

    https://en.wikipedia.org/wiki/Color_temperature

     

    Or. Most simply it is a method of describing the color characteristics of light through a numerical value that corresponds to the color emitted by a light source, measured in degrees of Kelvin (K) on a scale from 1,000 to 10,000.

     

    More accurately. The color temperature of a light source is the temperature of an ideal backbody that radiates light of comparable hue to that of the light source.

    As such, the color temperature of a light source is a numerical measurement of its color appearance. It is based on the principle that any object will emit light if it is heated to a high enough temperature, and that the color of that light will shift in a predictable manner as the temperature is increased. The system is based on the color changes of a theoretical “blackbody radiator” as it is heated from a cold black to a white hot state.

     

    So, why do we measure the hue of the light as a “temperature”? This was started in the late 1800s, when the British physicist William Kelvin heated a block of carbon. It glowed in the heat, producing a range of different colors at different temperatures. The black cube first produced a dim red light, increasing to a brighter yellow as the temperature went up, and eventually produced a bright blue-white glow at the highest temperatures. In his honor, Color Temperatures are measured in degrees Kelvin, which are a variation on Centigrade degrees. Instead of starting at the temperature water freezes, the Kelvin scale starts at “absolute zero,” which is -273 Centigrade.

     

    More about black bodies here: https://www.pixelsham.com/2013/03/14/black-body-color

     

     

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    Read more: Photography basics: Color Temperature and White Balance

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