https://www.arducam.com/product/arducam-5mp-plus-spi-cam-arduino-ov5642/
https://www.arducam.com/downloads/demo/360Camera/ArduCAM_Panorama_Demo/index.htm
https://thecamerastore.com/products/canon-rf-5-2mm-f2-8l-dual-fisheye
As part of the EOS VR System – this lens paired with the EOS R5 updated with firmware 1.5.0 or higher and one of Canon’s VR software solutions – you can create immersive 3D that can be experienced when viewed on compatible head mount displays including the Oculus Quest 2 and more. Viewers will be able to take in the scene with a vivid, wide field of view by simply moving their head. This is the world’s first digital interchangeable lens that can capture stereoscopic 3D 180° VR imagery to a single image sensor.
The pairing of this lens and the EOS R5 camera brings high resolution video recording at up to 8K DCI 30p and 4K DCI 60p.
https://www.the-digital-picture.com/Reviews/Canon-RF-5.2mm-F2.8-L-Dual-Fisheye-Lens.aspx
https://www.closeuphotography.com/50-dollar-componon-vs-mitutoyo-objective
What if you could find a lens for less than $100 that could produce image quality as good as a microscope objective
https://theasc.com/articles/sphere-and-the-big-sky-camera
Sphere is a 516′-wide, 366′-tall geodesic dome that houses the world’s highest-resolution screen: a 160,000-square-foot LED wraparound that fills the peripheral vision for 17,600 spectators (20,000 if standing-room areas are included). The curved screen is a 9mm-pixel-pitch, sonically transparent surface of LED panels with 500-nit brightness that produce a high-dynamic-range experience. The audience sits 160′ to 400′ from the screen in theatrical seating, and the screen provides a 155-degree diagonal field of view and a more-than-140-degree vertical field of view.
The image on the screen is 16K (16,384×16,384) driven by 25 synchronized 4K video servers.
https://nofilmschool.com/darren-aronofsky-sphere-camera
Cross section:
https://builds.magiclantern.fm/
Supported cameras:
5D Mark II, 5D Mark III, 6D, 7D, 50D, 60D, 500D/T1i, 550D/T2i, 600D/T3i, 650D/T4i, 700D/T5i, 1100D/T3, EOS M.
Example features:
https://www.roadtovr.com/meta-quest-3-oculus-preview-connect-2023/
https://gilwizen.com/laowa-25mm-ultra-macro-lens-review/
https://www.cameralabs.com/laowa-25mm-f2-8-2-5-5x-ultra-macro-review/
Combining a Laowa 25mm 2.5x lens with a Kenko 12mm extension tube
To find the combined magnification when using a Laowa 25mm 2.5x lens with a 12mm Kenko extension tube, given the magnification of the lens itself, the extension tube length, and the combined setup, you can calculate the total magnification.
First, consider the magnification of the lens itself, which is 2.5x.
Then, to find the total magnification when the extension tube is attached, you can use the formula:
Total Magnification = Magnification of the Lens + (Magnification of the Lens * Extension Tube Length / Focal Length of the Lens)
In this case, the extension tube length is 12mm, and the focal length of the lens is 25mm. Using the values:
Total Magnification with 2.5x = 2.5 + (2.5 * 12 / 25) = 2.5 + (30 / 25) = 2.5 + 1.2 = 3.7x
Total Magnification with 5x = 5 + (5 * 12 / 25) = 5 + (60 / 25) = 5 + 2.4 = 7.4x
https://visualeducation.com/macro-probe-lens-comparison-astrhori-28mm-vs-laowa-24mm/
https://petapixel.com/2022/11/01/astrhori-has-a-28mm-macro-probe-lens-that-looks-a-lot-like-laowas/
Overall, the Laowa did perform better than the AstrHori across all of our tests. The AstrHori lost contrast and suffered from flare when the subject was backlit. It also struggled to achieve perfect neutrality in terms of colour balance.
However, as mentioned above, the cost difference between these two lenses is significant. Considering that it costs less than half as much as the Laowa, the AstrHori is an impressive macro probe lens for the price.