Author: pIXELsHAM.com

www.materialx.org/

MaterialX is an open standard for transfer of rich material and look-development content between applications and renderers.

Originated at Lucasfilm in 2012, MaterialX has been used by Industrial Light & Magic in feature films such as Star Wars: The Force Awakens and Rogue One: A Star Wars Story, and by ILMxLAB in real-time experiences such as Trials On Tatooine.

MaterialX addresses the need for a common, open standard to represent the data values and relationships required to transfer the complete look of a computer graphics model from one application or rendering platform to another, including shading networks, patterns and texturing, complex nested materials and geometric assignments.

To further encourage interchangeable CG look setups, MaterialX also defines a complete set of data creation and processing nodes with a precise mechanism for functional extensibility.

www.ubcp.com/wp-content/uploads/Terminology-on-Film-Sets.pdf

TERMINOLOGY USED on FILM SETS
“10-4”: Short for “I understand” or “copy.”
“10-100”: Short for “Going to the honey wagon”; a trip to the bathroom.
“What’s your 20?” Short for “Where are you?”
“Action”: Director’s cue for the actors and/or action to begin.
“Back to First Marks”: Instruction for actors/extras to return to their first positions; also referred to as “Ones.”
“Background”: Cue for extras and any other background action elements to begin their action.
Call Time: The time you must be on set or location, ready to work.
Circus: Makeup, Hair and Wardrobe Trucks, Honey wagons, Mobile Dressing Rooms and Catering.
Company Move: Short for “We’re on the move’; this means that the entire unit is finished at that location and is
“Cut”: The call to stop the action. Before releasing any lock-up make sure you hear cut from the 1st AD.
Day for Night: Using special camera lenses, lighting and film stock to create a night look during the day.
Exterior: Outdoor shot
Extras: Performers hired to provide background action; also known as the “background performers”.
Genie Lift: A raising platform/crane used mainly for high angle shots and lighting for exterior night shots.
“Go Again”: Repeat the same shot. (Get used to hearing this one).
Honey-wagon: Washroom truck.
Hot Set: The set is ready for shooting and must remain exactly as is for continuity (high priority).
Interior: Indoor shot.
“Lock It Up”: Short for “Be quiet and get ready for cameras to roll
Martini Shot: Last shot before wrap; also “Window Shot”
MOS: Mute On Screen. Camera is rolling but not recording sound.
Pick-Up: Re-filming part of a scene from a specific point in the action.
“Picture’s up”: Rehearsal is complete; cameras will roll on the next action.
“Roll Camera”: Cue to the camera operator to begin rolling film.
“Roll Sound”: Cue to the sound mixer to begin recording sound.
“Rolling”: Film and sound are rolling, action is about to begin. Be quiet and still!
Room Tone: Recording dead air (no dialogue) for matching sound ambience during post-production. Be quiet!
“Speed”: Response heard from Sound Mixer after “Roll Sound”, meaning that themachine is up to speed.
“Stand By”: Hold your positions for a temporary delay, and be prepared for rolling.
Star Wagon: Mobile dressing room for actors
Tow Shot: A sequence where a picture car is towed by a camera truck for traveling car scenes.
“Turn Around”: Reversing the camera angle 180 degrees. This is not to be confused with crew turnaround, which is the
required rest period between workdays.
Wild Sound: Recording specific dialogue or sounds without the camera rolling, for editing purposes; also “wild lines.”
Wrap: The end of the shooting day (finally!).