www.theguardian.com/artanddesign/gallery/2015/oct/31/moscows-metro-stations-in-pictures
Learn how to do back end web development using the popular Python Django framework. You’ll build data visualization web apps using Pandas dataframes, Matplotlib, and Seaborn. You’ll also work with PDF rendering and even base-64 encoding. (7 hour YouTube course)
www.thisiscolossal.com/2021/04/reuben-wu-ex-stasis/
Wu programmed a stick of 200 LED lights to shift in color and shape above the calm landscapes. He captured the mesmerizing movements in-camera, and through a combination of stills, timelapse, and real-time footage, produced four audiovisual works that juxtapose the natural scenery with the artificially produced light and electronic sounds.
The Rookies is working on an ambitious task to create a free online resource that will standardize the skills and knowledge for digital artists on a global stage. The resource will outline essential creative and technical skills required by all artists before applying for industry positions in VFX, video games and animation.
To get involved, give back and help others as they start their career pathing, click on links below and give your insights! Everyone has value to add!
3D Animation: https://lnkd.in/gSJPdFS
Visual Effects: https://lnkd.in/gk2-gNM
Games: https://lnkd.in/ghdGVbN
www.broadcastnow.co.uk/tech/the-farm-to-acquire-technicolor-post-and-vfx/5159141.article
The companies involved are the businesses operated under the ‘Technicolor Post’ and ‘Technicolor VFX’ brands, and not Technicolor-owned facilities such as The Mill and MPC.
To measure the contrast ratio you will need a light meter. The process starts with you measuring the main source of light, or the key light.
Get a reading from the brightest area on the face of your subject. Then, measure the area lit by the secondary light, or fill light. To make sense of what you have just measured you have to understand that the information you have just gathered is in F-stops, a measure of light. With each additional F-stop, for example going one stop from f/1.4 to f/2.0, you create a doubling of light. The reverse is also true; moving one stop from f/8.0 to f/5.6 results in a halving of the light.
Let’s say you grabbed a measurement from your key light of f/8.0. Then, when you measured your fill light area, you get a reading of f/4.0. This will lead you to a contrast ratio of 4:1 because there are two stops between f/4.0 and f/8.0 and each stop doubles the amount of light. In other words, two stops x twice the light per stop = four times as much light at f/8.0 than at f/4.0.
theslantedlens.com/2017/lighting-ratios-photo-video/
Examples in the post
https://www.amazon.ca/dp/B0076A620Y
Datacolor SpyderX Elite
This excellent monitor calibrator comes with useful features, such as multi-monitor and projectors support, and it can detect the light conditions you’re working in to ensure your monitor looks its best.
X-Rite i1Display Pro Plus
Supports multiple monitors and HDR.
You’re able to use your profile across multiple displays (either on the same machine or network) as well as assess the ambient light in your workspace to set your monitor up for best results.
https://www.amazon.ca/X-Rite-i1Display-Pro-Plus-EODIS3PL/dp/B07XFX74V6
www.studiobinder.com/blog/academy-award-for-best-cinematography-winners
2019 – Roger Deakins, 1917
2018 – Alfonso Cuarón, Roma
2017 – Roger Deakins, Blade Runner 2049
2016 – Linus Sandgren, La La Land
2015 – Emmanuel Lubezki, The Revenant
2014 – Emmanuel Lubezki, Birdman or (The Unexpected Virtue of Ignorance)
2013 – Emmanuel Lubezki, Gravity
2012 – Claudio Miranda, Life of Pi
2011 – Robert Richardson, Hugo
2010 – Wally Pfister, Inception
2009 – Mauro Fiore, Avatar
2008 – Anthony Dod Mantle, Slumdog Millionaire
2007 – Robert Elswit, There Will Be Blood
2006 – Guillermo Navarro, Pan’s Labyrinth
2005 – Dion Beebe, Memoirs of a Geisha
2004 – Robert Richardson, The Aviator
2003 – Russell Boyd, Master and Commander: The Far Side of the World
2002 – Conrad L. Hall, Road to Perdition
2001 – Andrew Lesnie, The Lord of the Rings: The Fellowship of the Ring
2000 – Peter Pau, Crouching Tiger, Hidden Dragon
1999 – Conrad L. Hall, American Beauty
1998 – Janusz Kamiński, Saving Private Ryan
1997 – Russell Carpenter, Titanic
1996 – John Seale, The English Patient
1995 – John Toll, Braveheart
1994 – John Toll, Legends of the Fall
1993 – Janusz Kamiński, Schindler’s List
1992 – Phillipe Rousselot, A River Runs Through It
1991 – Robert Richardson, JFK
1990 – Dean Semler, Dances with Wolves
1989 – Freddie Francis, Glory
1988 – Peter Biziou, Mississippi Burning
1987 – Vittorio Storaro, The Last Emperor
1986 – Chris Menges, The Mission
1985 – David Watkin, Out of Africa
1984 – Chris Menges, The Killing Fields
1983 – Sven Nykvist, Fanny and Alexander
1982 – Billy Williams, Ronnie Taylor, Gandhi
1981 – Vittorio Storaro, Reds
1980 – Geoffrey Unsworth, Ghislain Cloquet, Tess
1979 – Vittorio Storaro, Apocalypse Now
1978 – Néstor Almendros, Days of Heaven
1977 – Vilmos Zsigmond, Close Encounters of the Third Kind
1976 – Haskell Wexler, Bound for Glory
1975 – John Alcott, Barry Lyndon
1974 – Fred J. Koenekamp, Joseph Biroc, The Towering Inferno
1973 – Sven Nykvist, Cries and Whispers
1972 – Geoffrey Unsworth, Cabaret
1971 – Oswald Morris, Fiddler on the Roof
1970 – Freddie Young, Ryan’s Daughter
1969 – Conrad Hall, Butch Cassidy and the Sundance Kid
1968 – Pasqualino De Santis, Romeo and Juliet
1967 – Burnett Guffey, Bonnie and Clyde
1966 – Ted Moore, (Color) A Man for All Seasons
Haskell Wexler, (B&W) Who’s Afraid of Virginia Woolf?
1965 – Freddie Young, (Color) Doctor Zhivago
(Ernest Laszlo), (B&W) Ship of Fools
1964 – Harry Stradling, (Color) My Fair Lady (
Walter Lassally, (B&W) Zorba the Greek
1963 – Leon Shamroy, (Color) Cleopatra
James Wong Howe, (B&W) Hud
1962 – Freddie Young, (Color) Lawrence of Arabia
Jean Bourgoin, Walter Wottitz, (B&W) The Longest Day
1961 – Daniel L. Fapp, (Color) West Side Story
Eugen Schüfftan, (B&W) The Hustler
1960 – Russell Metty, (Color) Spartacus
Freddie Francis, (B&W) Sons and Lovers
1959 – Robert Surtees, (Color) Ben-Hur
William C. Mellor, (B&W) The Diary of Anne Frank
1958 – Joseph Ruttenberg, (Color) Gigi
Sam Leavitt, (B&W) The Defiant Ones
1957 – Jack Hildyard, The Bridge on the River Kwai
1956 – Lionel Lindon, (Color) Around the World in 80 Days
Joseph Ruttenberg, (B&W) Somebody Up There Likes Me
1955 – Robert Burks, (Color) To Catch a Thief
James Wong Howe, (B&W) The Rose Tattoo
1954 – Milton Krasner, (Color) Three Coins in the Fountain
Boris Kaufman, (B&W) On the Waterfront
1953 – Loyal Griggs, (Color) Shane
Burnett Guffey, (B&W) From Here to Eternity
1952 – Winton C. Hoch, Archie Stout, (Color) The Quiet Man
Robert Surtees, (B&W) The Bad and the Beautiful
1951 – Alfred Gilks, John Alton, (Color) An American in Paris
William C. Mellor, (B&W) A Place in the Sun
1950 – Robert Surtees, (Color) King Solomon’s Mines
Robert Krasker, (B&W) The Third Man
1949 – Winton C. Hoch, (Color) She Wore a Yellow Ribbon
Paul C. Vogel, (B&W) Battleground
1948 – Joseph Valentine, William V. Skall, Winton C. Hoch, (Color) Joan of Arc
William Daniels, (B&W) The Naked City
1947 – Jack Cardiff, (Color) Black Narcissus
Guy Green, (B&W) Great Expectations
1946 – Charles Rosher, Leonard Smith, Arthur Arling, (Color) The Yearling
Arthur C. Miller, (B&W) Anna and the King of Siam
1945 – Leon Shamroy, (Color) Leave Her to Heaven
Harry Stradling, (B&W) The Picture of Dorian Gray
1944 – Leon Shamroy, (Color) Wilson
Joseph LaShelle, (B&W) Laura
1943 – Hal Mohr, W. Howard Greene, (Color) Phantom of the Opera
Arthur C. Miller, (B&W) The Song of Bernadette
1942 – Leon Shamroy, (Color) The Black Swan
Joseph Ruttenberg, (B&W) Mrs. Miniver
1941 – Ernest Haller, Ray Rennahan, (Color) Blood and Sand
Arthur C. Miller, (B&W) How Green Was My Valley
1940 – George Périnal, (Color) Thief of Bagdad
George Barnes, (B&W) Rebecca
1939 – Ernest Haller, Ray Rennahan, (Color) Gone with the Wind
Gregg Toland, (B&W) Wuthering Heights
1938 – Oliver T. Marsh, Allen Davey, (Color) Sweethearts
Joseph Ruttenberg, (B&W) The Great Waltz
1937 – W. Howard Greene, (Color) A Star is Born
Karl Freund, (B&W) The Good Earth
1936 – W. Howard Greene, Harold Rossen, (Color) The Garden of Allah
Tony Guadio, (B&W) Anthony Adverse
1935 – Hal Mohr, A Midsummer Night’s Dream
1934 – Victor Milner, Cleopatra
1933/32 – Charles Lang, A Farewell to Arms
1932/31 – Lee Garmes, Shanghai Express
1931/30 – Floyd Crosby, Tabu: A Story of the South Seas
1930/29 – Joseph T. Rucker, Willard Van der Veer, With Byrd at the South Pole
1929/28 – Clyde De Vinna, White Shadows in the South Seas
1928/27 – Charles Rosher, Karl Struss, Sunrise: A Song of Two Humans
The full story
https://www.fxguide.com/fxfeatured/the-art-of-deep-compositing/
Deep Compositing in VFX
https://www.diva-portal.org/smash/get/diva2:1325032/FULLTEXT01.pdf
Weta
https://www.wetafx.co.nz/research-and-tech/technology/deep-compositing/
Camera Space Deep Volumetric Shadows at Weta
https://jo.dreggn.org/home/2012_camera_space.pdf
Deep Volumes on Blade Runner 2049
https://www.foundry.com/insights/film-tv/blade-runner-2049-compositing
Intro to Deep Compositing
Deep Compositing Webinar
GIMP
https://neondigitalarts.com/how-to-make-a-gif-using-gimp-software/
Photoshop
https://www.adobe.com/creativecloud/photography/discover/make-a-gif.html
www.awn.com/news/fusefx-acquires-rising-sun-pictures
FuseFX, a full-service, award-winning visual effects company with studios in Los Angeles, New York, Atlanta, Vancouver, Montréal, Toronto, and Bogotá, is pleased to announce its acquisition of Rising Sun Pictures, a world-renowned, high-end visual effects studio headquartered in Adelaide, Australia